Sun 6 Sept · 17:00–22:00 · Free entry
objects
Objects in beadwork — organs, eyes, tears.
Slow, close, tactile — an intimate, chamber feeling, with space for sound, voice and small gestures.
Evening programme
The evening · Sun 6 Sept
The first night: organs sewn in glass beads, clay in Alessandra's hands, Dmytro's saxophone and flute, and ARTËM's set until ten.
On 6 September the room opened for the first time. On the walls, the organs: hearts, lungs, a womb, a stomach, eyes and drops, sewn one bead at a time. The lungs are a hundred and sixty-five centimetres and hang free, without a frame.
At seven Alessandra BB began "30 attempts to keep the form": half an hour with raw clay in her hands, thirty figures that hold only as long as someone holds them. Then Dmytro Grytskyy played saxophone and flute, and ARTËM closed the night with an ambient set.
Ksenia walked people through the works twice and answered what they asked: how many beads are in one eye, how long a heart takes, what happens when the thread breaks.
The beadwork stayed in the room for the next chapter as well.
Thank you
Anastasiia BazhutinaPhotography of the first chapternastya_bazhutina63 photographs
Artists & performers
ambient and lo-fi · Sun 6 Sept
ARTËM is a DJ, producer and founder of the Audio Boutique label. Performing since 1997, he began with Drum & Bass and has shared stages with Andy C, Goldie, Pendulum and Aphrodite at Pirate Station, Kazantip, Ges Fest and Deriva. Now based in Spain. For NANIZANO he plays ambient and lo-fi.
saxophone and flute · Sun 6 Sept
Dmytro Grytskyy (b. 1988, Kharkiv) is a musician, poet and director based in Barcelona. Trained as a physicist, he holds a PhD, has collaborated with CERN and published in Physical Review and Nature Communications; he currently works at the Center for Brain and Cognition. He plays flute and saxophone, directs performances, and has trained at Odin Teatret and the Grotowski Institute.
performance · Sun 6 Sept · 19:00
Alessandra BB (b. 1986, Belarus) lives and works in Barcelona. Her practice spans performance, installation and traditional painting. She explores memory, the body, identity and social taboos, building spaces where vulnerability coexists with inner strength. Her work has been shown across the EU and the USA, and her performances presented in leading Barcelona spaces.
30 Attempts to Hold a Form
I take a single piece of raw clay and every minute I make a new form from it, then destroy it and begin again. With each repetition the material keeps traces of its previous state — touches, deformations, cracks. The thirtieth form is the one I leave. I work to a steady sound signal. What interests me is not the restoration of a lost wholeness — it is the idea of wholeness as a temporary state. There is no final form at all: only an endless sequence of changes.
Works
I 06/092026
€650
I 06/092026
€800
I 06/092026
€1,500
I 06/092024
€350
I 06/092025
€350
I 06/092026
€400
I 06/092026
€400
I 06/092024
€800
I 06/092026
€1,500
I 06/09It’s all very simple · 2025
€900
I 06/09It’s all very simple · 2024
€900
I 06/092024
€700
I 06/092024
€700
I 06/092020
€1,300
Metro
Free entry, no invitation, no booking.